{"id":1957,"date":"2022-01-26T18:16:34","date_gmt":"2022-01-26T17:16:34","guid":{"rendered":"https:\/\/raal.es\/aprendido-de-las-cuencas-artefactos-de-la-memoria\/"},"modified":"2026-02-12T13:42:35","modified_gmt":"2026-02-12T12:42:35","slug":"aprendido-de-las-cuencas-artefactos-de-la-memoria","status":"publish","type":"post","link":"https:\/\/raal.es\/en\/aprendido-de-las-cuencas-artefactos-de-la-memoria\/","title":{"rendered":"Learning from las Cuencas. Artefacts of Memory"},"content":{"rendered":"<p>The research project\u00a0<em>Learning from las Cuencas<\/em>\u00a0o\ufb00ers a new gaze on the cultural landscape of the Cuencas or coal mining areas of central Asturias. To this end, the project aligns itself with some of the key architectural manifestos of recent decades, arising from seminal analyses of places that had once been overlooked. The interpretations made by Reyner Banham, Robert Venturi and Denise Scott Brown, Rem Koolhaas and Atelier Bow-Wow about Los Angeles, Las Vegas, New York and Tokyo, respectively, are now considered turning points in their subsequent evolution.<br \/>\nAs happened with these cities, the Cuencas or mining areas have changed considerably over a brief period of time. After undergoing an intense process of industrialisation, what were once natural valleys with basically rural economic and social structures came to host busy urban agglomerations of unexpected density in their very heart in just a few decades. While it obviously cannot rival the reputation of the above-mentioned examples, this heretical urban con\ufb01guration is equally the result of the impact of economic interests in a speci\ufb01c space and in a relatively short lapse of time. Consequently, the co-existence of natural, rural, industrial and urban landscapes came about in a totally uncontrolled and unplanned fashion. The fuzzy limits between the di\ufb00erent landscapes foreclose the possibility of identifying their areas of in\ufb02uence. The Cuencas are perceived as a mesh of opposing yet interconnected identities. This has given rise to incredibly heterodox building patterns that contain the con\ufb02ict on which they are erected embedded in their genetic code. These are hybrid architectures, mutating artefacts which, despite the invisibility of their inevitable marginality, can o\ufb00er really interesting lessons in architecture today.<br \/>\nIn analysing them, we endeavour to rehearse new windows of opportunity in contemporary architectural thought and to transform the conventional image of the Cuencas, a place that has been systematically overlooked yet which, when analysed from an unprejudiced point of view, represents a unique environment within Europe\u2019s urban structure.<br \/>\nAt the SabadellHerrero exhibition hall,\u00a0<em>Artefacts of Memory<\/em>\u00a0showcases the documentation and cataloguing carried out during the research process. The exhibition content is based on a study of forty of the most outstanding artefacts identi\ufb01ed in this territory. The re\ufb02ection is expanded at LABoral Centro de Arte y Creaci\u00f3n Industrial in dreamlike speculation based on the contents of the research process divided into three categories:\u00a0<em>Spectres, Projections and Fantasies<\/em>.<\/p>","protected":false},"excerpt":{"rendered":"<p>El proyecto de investigaci\u00f3n\u00a0Aprendiendo de las Cuencas\u00a0tiene como objetivo ofrecer una nueva mirada del paisaje cultural de las Cuencas Mineras Centrales de Asturias. Para ello, se sit\u00faa en correspondencia con algunos de los mani\ufb01estos arquitect\u00f3nicos m\u00e1s importantes de las \u00faltimas d\u00e9cadas, surgidos como resultado de afortunados an\u00e1lisis vertidos sobre lugares anta\u00f1o menospreciados. Las interpretaciones que [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3593,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[90],"tags":[53],"class_list":["post-1957","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-divulgacion","tag-exposicion"],"acf":[],"_links":{"self":[{"href":"https:\/\/raal.es\/en\/wp-json\/wp\/v2\/posts\/1957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/raal.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/raal.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/raal.es\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/raal.es\/en\/wp-json\/wp\/v2\/comments?post=1957"}],"version-history":[{"count":3,"href":"https:\/\/raal.es\/en\/wp-json\/wp\/v2\/posts\/1957\/revisions"}],"predecessor-version":[{"id":10128,"href":"https:\/\/raal.es\/en\/wp-json\/wp\/v2\/posts\/1957\/revisions\/10128"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/raal.es\/en\/wp-json\/wp\/v2\/media\/3593"}],"wp:attachment":[{"href":"https:\/\/raal.es\/en\/wp-json\/wp\/v2\/media?parent=1957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/raal.es\/en\/wp-json\/wp\/v2\/categories?post=1957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/raal.es\/en\/wp-json\/wp\/v2\/tags?post=1957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}